Bobbin Work! Covid Quilt Challenge #11

We did our next challenge this past weekend. Apparently I started writing this post and forgot about it, so it's actually been almost 2 months since our last challenge. The topic we drew was bobbin work. This was an interesting one because neither of us really had an idea of what it was or what was involved.

As usual, Friday night started out with googling and Saturday started with testing. I did less planning on Friday night, because until I did the testing, I really didn't have an idea of what would happen or what kind of ideas might make sense.

This is what my testing looked like. See how helpful it looks :P?

It actually gave me a good sense of which materials would work and which ones wouldn't. It also gave me a sense of how to work with each material. Some did better going through the bobbin tension and some didn't. Some benefited from a top tension change, some didn't. Little experiments helped with this. Especially taking care to go slow at the beginning - I did snarl up my machine a couple times.

My key feature was my ribbon yarn. I had a spool left from when it was popular and I had made my mother a scarf out of it. I really liked what it did when run through the machine - it bunched up in a ruffle/rouched kind of way and looked really cool. Plus it was gradated, and so looked very interesting. That led me to deciding that I wanted it to be the main part of my design.

I started by quilting the entire background. I wasn't fully thinking when I picked the backing fabric. I know I had a reason, but I don't remember what it was, and because I had a dark background fabric and light backing fabric, it meant I had a dark top thread and light bobbin thread, and my machine quilting skills aren't good enough that that was a good idea.

 

After that, I traced the outline of what I wanted on the back fabric, so that I could do the bobbin work upside-down and know where I was going. I had decided to make a butterfly. I started with the main outline with the ribbon yarn that I loved so much. 

From there, I added a yellow outline with a thick jeans thread, and a blue ribbon accent created with a zig-zag stitch. The body of the butterfly was created using a zig-zag stitch that I varied in width to create the shape I wanted.

Next I added buttons as accents as well.

To finish it off, I faced the project, and then zig-zagged the ribbon yarn around the edges as well.

Overall, I was very happy with how it turned out - especially given at the start of the weekend, I didn't even know what bobbin work meant.

Okay, onto my friend's project. At the best of times I am just piecing together (haha - no pun intended) what I think she did. An now it's been 2 months since she would have told me anything, so this will mostly be a series of pictures of the progress of her project.

pic

Again, I think the thing that really drove our design decisions was the types of threads we had, and how they interacted with the machine.

This is the design she chose to do.

She used 3 different threads to complete the design.

Her big things were working through what order to sew which lines in, and also doing the filament in the lightbulb as a free motion design (but going over it 3 times to get a thicker line - I think she did an incredible job of following the same line every time). 

Except for the small black square of fabric, everything else was done with bobbin work.

She also chose to do her bobbin work through all 3 layers, so counted that as her quilting as well.

Broccoli!

At the beginning of October, my friend turned the big 3-0. Usually I get her a vegetable or two for her birthday (cuz that's the kind of person she is :) ). However, she's been on a reduced diet recently, and I wasn't sure what she was and wasn't eating. Plus $1.99 broccoli didn't feel like enough for a 30th birthday.

So I got to work thinking and googling and decided a collage broccoli was the way to go. And I even found some ideas online - I'm not the first one to quilt a broccoli :). I ended up using ideas and resources from Collage Quilter, who has done some great work. She has some lovely pieces including a harvest quilt, which includes some youtube video tutorials on fabric selection, technique, etc.

I pulled my fabrics out and got to work, sorting, cutting, placing and sticking.

I did the outer edge of the broccoli separately from the inner floret - this made it easier to get the shape I wanted without too much work. I cut out rounder shapes for the florets and strips for the stalks.

Both pieces were made on a separate scrap of fabric, and then cut out and placed on the background.

After that it was just a matter of quilting: pebbles/bubbles for the florets (smaller in the darker parts and larger for the lighter middle bit - made it stand out a bit more) and jagged lines for the stalks.

I had a lot of fun creating this project. I would definitely try something like this again.

She hung it in a place of honour (and picked out the perfect ribbon for it) :)

Covid Quilt Challenge #10: Non-Rectangular

This past weekend was another covid quilt challenge (I got a little behind on my posting). The "technique" we drew this week was "non-rectangular". We decided that this was a little too vague of a challenge, especially since I had a few other things going on on the weekend. We added the theme of fall to our non-rectangular challenge.

This was an interesting one, especially before we added the theme, because it's not really one that you could google, the way we often start our challenge. Even with the added theme, it wasn't super googleable. We found you had to just look for ideas that might then lend themselves to being "non-rectangular". The other interesting thing was how does one define "non-rectangular". Where did a diamond fall? Was a rectangular shape that just had wavy edges enough? What about three straight edges and one with something that poked out? If so, how much of the edge would need to not be straight to count. We decided that it just couldn't be something with four straight lines and four 90 degree angles. In the end, I tried to go farther than that, just so there wasn't any question about whether it was too close or not.

I struggled with the idea of "non-rectangular" mostly because every time I went to sketch something I would start with drawing a rectangle. I was thinking about doing a tree with confetti leaves, but decided I didn't have time for that in the weekend, and I wasn't convinced I could nicely make something that wasn't rectangular. Instead I started thinking about doing a large, single leaf, and added on more to the rectangle I had started sketching, and ended up being excited about the idea of an L-shaped piece with a couple bits sticking out the edges as well. I sketched out a leaf I liked, and after some googling, I settled on adding an acorn that hung off as well. I tried to think of a third thing for my third square, but decided to leave it blank.

I knew I wanted my two covered squares to have an outer fabric and an inner fabric, but I struggled with what to do with the blank square because it felt like that wouldn't be enough (I didn't want it to be too plain) but the initial things I thought of were going to make it too busy and draw the eye away from the other bits. I the end I decided to do a split half-square triangle with a few different fabrics. This was really because of how I decided I wanted to quilt it and I knew having a strong diagonal line would be good. That also meant that I wanted to mitre the corners in the other blocks, to keep with the diagonal lines.

There were a few extra challenging things about this project. One was the size. In order to have an abnormal shape and stay within the perimeter range (20-30 inches), the blocks were quite small (3" finished). This meant the mitred bits were also quite small. The other challenge was figuring out how to finish a quilt that wasn't a "normal" shape. I toyed around with a few ideas (including adding binding that went behind the sticking out bits, but in the end I scraped that and did a bit of a raw-edge finish. I'm still curious about what other quilters do — it wasn't something I seemed to have the right words to google.

I decided to reverse appliqué the leaf — both because I thought it would look better and to try something new. It was an odd enough shape that I chose to iron freezer paper on the back, cut a line in the middle, and then glue down the fabric that I turned under. Technically I have used this technique on a previous project and I used rubber cement for it, but it had been long enough since I did that that my rubber cement had gone rubbery, so instead I used a glue stick and it was messier and not as precise as I would have preferred, but it got the job done.

I chose to do straight line quilting that rotated at the dividing diagonal. I purposefully spaced the lines different distances, but on a piece this small it was hard to get enough quilting to look good, while still having things look randomly spaced and not part of a pattern (since some of the different distances aren't that distinguishable). I did not account for how much the acorn would stick out the side, so I should have carried some of the quilting further along — it ends early on the backside.

I laid the leaf and the acorn out where I thought I wanted them, which wasn't quite where I had sketched them, but they looked better this way than when I laid them out to match the sketch. Next, I stitched them down on top of the background. I ended up turning under the background on the top (I had originally cut it to have binding added to it), but I left the backing cut as a raw edge. Once I had cut out the shape, I overcast around the entire edge of the quilt to finish it. I still think I might have liked a different finishing method, but I still haven't figured out what that is.

My friend ended up going a completely different route. She made her the shape of her object. She also did A LOT of handwork on this one. She decided to do a pickup truck that was hauling pumpkins. She made a paper outline model of what she wanted, and auditioned her fabric for it.

Next, she started making her pumpkins. At first she pieced them.

But she wasn't happy with how they came together, so she ended up rethinking things and realizing she was going to have to do things by hand to get the look she wanted. Pumpkins got made and attached.

And more of the truck got made.

She created her finished look through lots more hand stitching.

And added side mirrors.

She added more details, some hand embroidery, and some quilting to finish things up. It was lots of time, but overall a lovely product.

Another One Bites the Dust: Covid Quilt Challenge #9

Another week, another challenge. We have some plans (crazy, I know) for the next few weekends, so we decided we needed to do another challenge because it will be a month before we can do the next one. However, I also wasn't sure I was up for another full weekend, full brain power challenge. So this time, instead of randomly picking our challenge we decided to do some freehand machine embroidery (since we felt it would take a little less time/energy to do). It still took a good chunk of my day, but I was able to putter a little bit more.

We started by doing some googling, which was harder than it should have been because we didn't know the right words to use. We found eventually that the words "freehand machine embroidery" got us most of the way there, and then similar image searching narrowed it down for us. We were definitely looking for something a little more basic and we liked the more fun/whimsical ones with black thread outlines. We picked a cake that we liked the look of and decide to both do a version of it for our test piece. Since it was only 3 rectangles of fabric and a cake plate just done of stitching, we decided we could do it fairly quickly.

Mine

My friend's

What I learned was that I can't just freehand things without anything to go off of (as evidenced by my cake plate). I also started with a slight advantage as my friend had never even broken out her quilting foot. But she's a very talented individual and caught on very quickly (plus it helps that it's small pieces that aren't meant to be done perfectly).

This was all accomplished on Friday night. We knew that these projects were a bit less of a time commitment, so we decided we would do a bit of a series that we could possibly revisit another time as well. Because of this, we decided we wanted our things to be the same size and we picked 5" finished (which is the bottom end of our perimeter). For our series we picked a theme of fruit. We decided we would each make 3 fruit pieces.

We each ended up picking a smaller theme for our 3 fruits. I chose "July" as my theme, picking my favourite local fruits that I can get in July — strawberries, cherries, and yellow plums. I decided to do a different number for each piece — 1 strawberry, 2 cherries, and 3 plums — and I also decided that I wanted to incorporate a little bit green into each one (for some consistency).

After sketching each one, I cut out paper templates and then fabric pieces, which I laid out how I thought I wanted. Then I attached a little bit of fusible webbing to the pieces just to help them stick in place when I went to stitch them. I was a little worried when I cut the paper out, because there wasn't much of a difference between my plums and my cherries, but getting them in the right colours really made a difference.

After that it was just a matter of stitching things in place with black thread.

Then came the tricky part. We hadn't really decided how we were going to finish them; we just knew we didn't really want to bind them. I had a lot of extra when I worked, so I decided to trim the back and the batting down to size and then fold the front under and around to finish it on the back. I then used my machine stitches to sew around the outside to hold the border in place. I worked from the back to make sure I was stitching where I wanted. The machine work was a little less controllable than I wanted. It made for a very rustic feel, which on this project was fine, but wouldn't be good for things I wanted to look more  polished. If I had been feeling a little more ambitious I could have free-handed something, but I had enough trouble making sure that the edge staged in place and my stitching didn't get too far out of place with the pre-existing stitch that I don't know how successful I would have been.

My friend chose her theme to be "a study in yellow". We did not tell each other our themes or chosen fruit as we worked — we decided it would be more fun that way (and we wouldn't influence one another).  She ended up picking a banana, a pineapple, and a lemon.

She mostly used the same method I did of pre cutting the shapes she wanted and tacking them down with fusible web before stitching them.

However, for her pineapple top, she instead went with another method we had seen which was to use a bigger piece of fabric, stitch what you wanted and then trim down to just outside the stitching lines. She said it was a little difficult because you're basically in no man's land in terms of knowing where to go (instead of having an outline to follow). She used a paper template to help with that.

She also struggled with what to do to finish them. In the end, she decided to face them, but before she did that, she free motion stitched an outer border on them and then attached the facing. She did a very good job getting the outer border lined up before she turned everything under.

I think they look really cute framed from the back too.

Covid Quilt Challenge #8: Borders

I don't think we had any idea of what we were getting into when we first started this, nor do we know how long we will continue, but we're starting to get quite a collection of mini quilts.

This weekend's challenge was borders. And it was extra challenging. I think there were a few reasons for this. First, we were busy on Friday night, so we had less planning time than we were used to. Second, this was a very broad and vauge topic, so searching for inspiration was a little more difficult. And finally, we're working with such small dimensions, lots of what you might do in a larger quilt is not really doable at this size. Nothing we had made thus far has had borders on it, so this was a completely new avenue of thought.

My friend decide to make something with a few "blocks" and then a few borders around it. This meant she was working with some very tiny pieces, since the finished size was 8.5"x6".

These pinwheel blocks ended up being 1" finished (craziness!).

She also made a pieced border for the outside which consisted of on point squares side by side. These were done by strip pieces (they can be seen in the previous picture and she claims that they were "pretty easy"). Here they are attached into the 4 sides.

I'm impressed that she managed to get things consistent enough to get the 4 corner squares to work out. She added an inner white border (which was mitred) and a middle colourful border (her colour scheme was based on a previous baby quilt that she has made). Her beautiful tiny piecing makes that white border look huge, but it's only just over an inch wide. 

She machine quilted the outer pieced border and the inner blocks and then did some lovely hand-quilting in the white border.

Here is the cute back, which is fussy cut for some of those front blocks.

And the final product with a ruler for comparison, just to give you a sense of how tiny things are.

I played around with a few ideas before I settled on mine. When we were bouncing some ideas off of each other we kept talking about whether we should be starting with a border idea and then figure out what to put inside it or start with what was going to be on the inside and then build the border ideas around it. Mine kind of came together at the same time. When I started looking at ideas, I tried to pull out what I like about borders, or what I wanted to try, and one thing that stood out for me was that I really like borders that extend the quilt, and also quilts that extend into the borders. And when I started thinking about what could go inside my quilt that was focused on borders, what started out as a cheeky idea, turned out to be exactly what I needed. I started thinking about country borders, mostly as a joke at first, I mean there was no way I was going to fit a picture of Canada inside my borders in that small of a space. But then I was reminded of a trip we took in my childhood to Waterton National Park where we hiked from Canada down into Glacier National Park in the United States. I remember stopping at the border marker, where the trees are clear cut, and them lining up the Americans on their side and the Canadians on our side and having us shake hands.

This is the image that I used for inspiration for my quilt.

I started by making my scene. I first attached the top two sections of the path, and the top two sections of the mountain, and then cut a section for the path and attached it (after adding in the seam allowance). Once that was done, I added in the curved piecing between the mountain and the sky, and added the bottom tree section with its path.

I made it much larger than it needed to be (mostly I was worried about seam allowances and angles of the path and curves affecting things). Once that was done I trimmed it down and added a black border around it.

Originally I was just going to "insert" the black border into the scene and just have the scene continue on the other side of the black border. But I couldn't just cut it because the curved piece was not going to line up once the seams were sewn, and I didn't want to have to bother with figuring out how to recreate the same curve but with the seam allowance accounted for. And since the challenge was about borders, it felt like cheating to just add the black on top of the whole piece. So I did some more googling and out of the corner of my eye I noticed a pieced border that extended the colours/design of the interior, but wasn't an exact replica. The original one I saw was angled pieces radiating out from the middle. I decided to go with straight lines instead.

I made sure to change colours when the interior changed, and put half square triangles in the corners. This is what I originally had when I went to bed on Saturday night, but I wasn't happy with the dark colour being the highest thing on the mountain on the right, so on Sunday I took it apart and turned it around. I also decided while I had it apart that I would also like to follow the line of the mountain more. I think with the colour switch, it might have been okay as a straight line, but I didn't want to stitch it and change my mind and have to unpick it again (there was enough unplanned unpicking that had to happen I didn't want to deal with planned unpicking), so I changed the angle at the same time. I just eyeballed it, and had to do it a couple times, but in the end, I'm really glad I made the change

For quilting, I added a double line in the outer border, which also matched the colours of the section it was in, so that was a lot of ends to work in. On the mountain on the left, I think there were 3 or 4 stitches in each line and then 4 ends to work in just for those 3-4 stitches.

After that I struggled with whether or not I wanted to add in some tree quilting. I was happy with the abstract sections of the mountain, but I had originally pictured it having trees in the bottom section to help show the perspective. I did a bit of test quilting (it was in the wrong colours because I didn't have all the green thread I wanted in the first place — as it stands I did run out of at least one of my green threads — so I didn't want to waste any). But even that didn't help me decide what I wanted to do.

Eventually I decided that the whole point of these was to try new things and develop skills, and if I didn't try it, then I would never know if that was something I was capable of pulling off, but also something that would look good (sometimes you have to do something in order to figure out you don't want to do it). I was really worried about "ruining" my quilt, but I think I did a fairly good job, and I like the way it turned out.

I originally had the trees a little more spread out, but then I added one that was closer to the others than I had intended, so then I had to add a few more that were close to the others so that one didn't seem out of place. I had even "mapped" it out a bit, but I had to be fairly fluid with where they went and how they looked based on how the quilting went and how much thread I had. It also helps to reiterate a lesson I need to learn, which is that things don't have to "match" as much as I think they should/want them to. A couple of those threads when they were sitting with the other ones really stood out, and if I had more green thread options, I never would have chosen them, but they really helped give things some depth and variety.

I decided because of the borders/design that binding wasn't the way I wanted to go, so I tried my hand at facing again. I tried a slightly different technique this time, and each one has it's pros/cons. I also made the facing much skinner than last time (since I'm working on a much smaller scale. I decided not to worry too much about the quilting on the back on this one — I didn't have enough green thread to worry about it too much and I didn't want to ruin the front by worrying too much about the back. 

I pieced and attached the border marker over top of the quilted border lines and the inner black border (before the facing) to finish the look.

This is definitely one of my favourites and I can definitely see where things I've done in other challenges helped me with this one (not necessarily particular techniques, though I did use curved piecing again, but also just some general confidence and ideas and willingness to try things).